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Elizabethan & Jacobean Consort Music

Elizabethan & Jacobean Consort Music

Elizabethan & Jacobean Consort Music
Label(s)
Genre(s)
Classical
Code
CKD 011

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Price
$17.00
  • Now Is The Month Of Maying
    Composer(s) Thomas Morley / Philip Rosseter
    Artist(s) Philip Pickett Catherine Bott Michael George

    Now Is The Month Of Maying

    03:24
    $1.80
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  • Tarleton's Jig
    Composer(s) Anon
    Artist(s) Philip Pickett Catherine Bott Michael George

    Tarleton's Jig

    02:46
    $1.80
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  • This Merry Pleasant Spring
    Composer(s) Anon
    Artist(s) Philip Pickett Catherine Bott Michael George

    This Merry Pleasant Spring

    01:44
    $1.80
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  • My Lord Of Oxenford's Maske
    Composer(s) William Byrd
    Artist(s) Philip Pickett Catherine Bott Michael George

    My Lord Of Oxenford's Maske

    02:59
    $1.80
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  • The Batchelar: How Many Things?
    Composer(s) John Maynard
    Artist(s) Philip Pickett Catherine Bott Michael George

    The Batchelar: How Many Things?

    02:01
    $1.80
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  • Coral
    Composer(s) William Brade
    Artist(s) Philip Pickett Catherine Bott Michael George

    Coral

    05:27
    $1.80
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  • Why Sigh'st Thou, Shepherd?
    Composer(s) John Jenkins
    Artist(s) Philip Pickett Catherine Bott Michael George

    Why Sigh'st Thou, Shepherd?

    02:43
    $1.80
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  • My Lord Of Marche Pavan/Galliard
    Composer(s) James Lauder / Anon
    Artist(s) Philip Pickett Catherine Bott Michael George

    My Lord Of Marche Pavan/Galliard

    03:20
    $1.80
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  • O Mistris Myne
    Composer(s) Thomas Morley
    Artist(s) Philip Pickett Catherine Bott Michael George

    O Mistris Myne

    01:40
    $1.80
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  • Did Not You Once, Lucinda Vow?
    Composer(s) Charles Coleman
    Artist(s) Philip Pickett Catherine Bott Michael George

    Did Not You Once, Lucinda Vow?

    02:41
    $1.80
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  • Reade's Almain
    Composer(s) Anthony Holborne
    Artist(s) Philip Pickett Catherine Bott Michael George

    Reade's Almain

    03:29
    $1.80
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  • It Was A Lover And His Lasse
    Composer(s) Thomas Morley
    Artist(s) Philip Pickett Catherine Bott Michael George

    It Was A Lover And His Lasse

    03:23
    $1.80
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  • Masque Music II
    Composer(s) Thomas Lupo
    Artist(s) Philip Pickett Catherine Bott Michael George

    Masque Music II

    03:48
    $1.80
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  • Masque Music III
    Composer(s) Thomas Lupo
    Artist(s) Philip Pickett Catherine Bott Michael George

    Masque Music III

    01:32
    $1.80
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  • Faine Would I Wed
    Composer(s) Thomas Campion
    Artist(s) Philip Pickett Catherine Bott Michael George

    Faine Would I Wed

    01:17
    $1.80
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  • The Maide: I Marriage Would Forsweare
    Composer(s) John Maynard
    Artist(s) Philip Pickett Catherine Bott Michael George

    The Maide: I Marriage Would Forsweare

    01:48
    $1.80
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  • A Devision: Barafostus' Dreame
    Composer(s) Anon
    Artist(s) Philip Pickett Catherine Bott Michael George

    A Devision: Barafostus' Dreame

    03:11
    $1.80
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  • Mother Watkins' Ale
    Composer(s) Anon
    Artist(s) Philip Pickett Catherine Bott Michael George

    Mother Watkins' Ale

    05:47
    $1.80
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  • Nutmeg And Ginger
    Composer(s) Anon
    Artist(s) Philip Pickett Catherine Bott Michael George

    Nutmeg And Ginger

    02:37
    $1.80
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  • O Lusty May
    Composer(s) David Melvill
    Artist(s) Philip Pickett Catherine Bott Michael George

    O Lusty May

    02:46
    $1.80
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Total running time: 58 minutes.

    Album information

    A fresh and endlessly enjoyable selection of dances and songs with a 17th century party atmosphere. 

    One of the world's leading early music ensembles, the versatile New London Consort explores a uniquely wide and colourful repertoire of Renaissance and Baroque music presented in carefully planned programmes designed to combine the very best in scholarship and entertainment.

    The principal artists, all established soloists in their own right, share a rare unanimity of purpose and style, resulting in the New London Consort's undisputed reputation for artistry, flair and virtuosity.

    Their concerts and recordings, while frequently including first modern performances of unpublished, undiscovered or reconstructed masterpieces, also shed unexpected and often controversial new light on more familiar works.