Hammered Brass
Hammered Brass
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- Quintet 'Variazioni sul'uno corale'<i> tema</i>Composer(s) Petr Eben
Quintet 'Variazioni sul'uno corale' tema
00:53$1.80 - Quintet 'Variazioni sul'uno corale'<i> variation 1</i>Composer(s) Petr Eben
Quintet 'Variazioni sul'uno corale' variation 1
02:33$1.80 - Quintet 'Variazioni sul'uno corale'<i> variation 2</i>Composer(s) Petr Eben
Quintet 'Variazioni sul'uno corale' variation 2
01:08$1.80 - Quintet 'Variazioni sul'uno corale'<i> variation 3</i>Composer(s) Petr Eben
Quintet 'Variazioni sul'uno corale' variation 3
03:11$1.80 - Quintet 'Variazioni sul'uno corale'<i> variation 4</i>Composer(s) Petr Eben
Quintet 'Variazioni sul'uno corale' variation 4
02:45$1.80 - Quintet 'Variazioni sul'uno corale'<i> variation 5</i>Composer(s) Petr Eben
Quintet 'Variazioni sul'uno corale' variation 5
02:14$1.80 - Hammered Brass<i> Allegro</i>Composer(s) Robert Crawford
Hammered Brass Allegro
02:04$1.80 - Full Fathom Five<i> 1st Movement</i>Composer(s) Steve Martland
Full Fathom Five 1st Movement
04:45$1.80 - Full Fathom Five<i> 2nd Movement</i>Composer(s) Steve Martland
Full Fathom Five 2nd Movement
02:49$1.80 - Full Fathom Five<i> 3rd Movement</i>Composer(s) Steve Martland
Full Fathom Five 3rd Movement
03:08$1.80 - Full Fathom Five<i> 4th Movement</i>Composer(s) Steve Martland
Full Fathom Five 4th Movement
01:33$1.80
Total running time: 53 minutes.
Album information
Music by the composers Petr Eben, Luciano Berio, Iannis Xenakis, Steve Martland and Robert Crawford.
The Wallace Collection was founded by John Wallace in 1986 to explore and perform the extensive brass repertory, and has become one of the world's pioneering brass ensembles with an international reputation for innovative programming. All the works on this album are premiere recordings.
The five variations in the Quintet by Czech composer Petr Eben are based on a fifteenth-century chorale theme. In the five variations the texture is organised by juxtaposing different permutations of instruments against others. The meaning of the title is apparent from the opening phrase. A short (single-movement) but remarkable work, it shows a continuation of Berio's relentless exploration of the brass idiom that was evident in his iconoclastic Sequenzas for trombone (1966) and trumpet (1984). Hammered Brass moves seamlessly through sections in which the ideas are derived from the processes of manufacture of Pewter, Silver Filigree, Gold Leaf, Bronze and Burnished Brass.