After twenty years as Ennio Morricone’s chosen violinist, Serino continues his exploration of the compositions for violin and orchestra, but this time with a particular focus on pieces that, besides being less well known to the wider public, all share a degree of “Italianness”. The main nucleus of the program consists of three suites named after three Italian film directors (Silvano Agosti, Mauro Bolognini and the Taviani brothers), with whom Morricone worked closely. Although the respective films did not achieve the international acclaim of those directed by Sergio Leone or Giuseppe Tornatore, which featured in the previous recording, they inspired the composer to come up with new and distinctive solutions, such as “Love Remembered” from The Inheritance, considered by Marco Serino to be one of the most beautiful. Equally quintessentially Italian are the two extracts from the scores for The Lady Caliph directed by Alberto Bevilacqua, including the lovely “Nocturne” and the brief “Quasi un Vivaldi” (from Sergio Sollima’s film Revolver), which herald by almost a decade remakes like Gian Piero Reverberi’s Rondò Veneziano. A unique place is occupied by Four Adagios, a collection of four pieces chosen by the composer himself (including the iconic “Whoever” and “Deborah’s Theme”), which in this arrangement for violin cites the main theme of the first movement of the Beethoven Concerto. Dedicated to Serino and performed worldwide under the baton of Morricone, Four Adagios speaks to the artistic partnership between composer and violinist, their mutual professional respect and deep friendship.