Scottish Chamber Orchestra - 40th Anniversary Edition - MusicWeb International
This disc is a special birthday treat to
commemorate, in 2014, the 40th anniversary of the founding of the
Scottish Chamber Orchestra. I'm lucky enough to be a regular at their concerts,
and it's a privilege to be living in such close proximity to what is one of the
greatest chamber orchestras in Europe, renowned for their precision, clarity,
intimacy and sense of community. This anniversary edition is an inspired idea,
uniting recordings made by three of the conductors who have been most closely
associated with them.
Robin Ticciati is their incumbent music director and I admire hugely his work
with the SCO, though I'm not always enamoured of the sound he gets out of the
strings, which at times comes across as rather pinched. I admit this somewhat
detracted from my enjoyment of his Siegfried
Idyll - the only "new" recording on this CD: Swensen's and
Mackerras' are taken from prior releases - which has a fairly small sound and
is low on luxury. Some will like that: they will enjoy the stripped down
quality of the sound, which is a world away from what you normally expect to
hear from Wagner, and the transparency of the sound - vibrato seems to have
been used only very sparingly, if at all - certainly brings gains of laying the
music open in a way that allows the winds to come through with more clarity and
equality...I certainly won't be casting this version away, however, as there's
plenty to appreciate, too.
Swensen's Tempest
music brilliantly sums up the quality of his relationship with the SCO. The Chorus of the Winds, for
example, marries the majesty of the tutti
chords with the gentle intimacy of the harp passage. His string sound is rich
and unafraid, but he uses it with delectable delicacy in, say, the Intermezzo or the Dance of the Nymphs. He
manages to make Prospero's theme sound like Vaughan Williams, while the Naiads episode is full
of good natured triumph.
Unlike the other two, Sir Charles Mackerras was never principal conductor of
the SCO, but as their Conductor Laureate he was a regular fixture in Scotland
and his death in 2010 deprived the orchestra of one of their greatest
collaborators. He showed this again and again on the concert stage (see here
for a review of their final concert) and his many recordings with the orchestra
include seven Mozart operas and two brilliant sets of the
symphonies. The virtues of this recording of the Jupiter have been
trumpeted elsewhere
on the MusicWeb International site, so all I will say is that listening to it again reminded me
of just how brilliant it is and made me sad all over again that Mackerras is no
longer with us.
I don't know how long this disc is going to be around for, so if you want it
then don't waste time. Well done. Happy Birthday to the SCO and here's to the
next forty years.