ΙΕΡΟΣ | HIEROS
ΙΕΡΟΣ | HIEROS
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- Ombrer la nuitComposer(s) Jean-Philippe GoudeArtist(s) Paulin Bündgen Ensemble Céladon
Ombrer la nuit
06:51$2.30 - O vera, O piaComposer(s) AnonymousArtist(s) Paulin Bündgen Ensemble Céladon
O vera, O pia
02:29$2.30 - Ave gloriosaComposer(s) AnonymousArtist(s) Paulin Bündgen Ensemble Céladon
Ave gloriosa
02:17$2.30 - ÉternitéComposer(s) Jean-Philippe GoudeArtist(s) Paulin Bündgen Ensemble Céladon
Éternité
03:45$2.30 - Procurans odiumComposer(s) AnonymousArtist(s) Paulin Bündgen Ensemble Céladon
Procurans odium
04:15$2.30 - Nos vies sont làComposer(s) Jean-Philippe GoudeArtist(s) Paulin Bündgen Ensemble Céladon
Nos vies sont là
05:25$2.30 - Nuit prodigieuseComposer(s) Jean-Philippe GoudeArtist(s) Paulin Bündgen Ensemble Céladon
Nuit prodigieuse
05:22$2.30 - Flos in monte cerniturComposer(s) AnonymousArtist(s) Paulin Bündgen Ensemble Céladon
Flos in monte cernitur
02:39$2.30 - Festa IanuariaComposer(s) AnonymousArtist(s) Paulin Bündgen Ensemble Céladon
Festa Ianuaria
01:26$2.30 - De monte lapis scinditurComposer(s) AnonymousArtist(s) Paulin Bündgen Ensemble Céladon
De monte lapis scinditur
02:23$2.30 - Trois litanies: I - des taillis, II - des décombres, III - des nuagesComposer(s) Jean-Philippe GoudeArtist(s) Paulin Bündgen Ensemble Céladon
Trois litanies: I - des taillis, II - des décombres, III - des nuages
09:05$3.40 - Nicholai presulisComposer(s) AnonymousArtist(s) Paulin Bündgen Ensemble Céladon
Nicholai presulis
01:53$2.30 - Gaudeat devotioComposer(s) AnonymousArtist(s) Paulin Bündgen Ensemble Céladon
Gaudeat devotio
01:24$2.30 - DominerComposer(s) Jean-Philippe GoudeArtist(s) Paulin Bündgen Ensemble Céladon
Dominer
03:29$2.30
Total running time: 52 minutes.
Album information
ΙΕΡΟΣ | HIEROS (in ancient Greek: sacred), performed by the vocal trio of Ensemble Céladon, opens up a musical reflection by alternating medieval music with contemporary composition.
With this first disc sung entirely a cappella, the ensemble, led by Paulin Bündgen, examines the definition of the ‘sacred’ and its evolution through the centuries. From the thirteenth-century conductus of the School of Notre-Dame to the six works of Jean-Philippe Goude, how has this sentiment, which inhabited and guided the artists of the Middle Ages, evolved? What meaning and place does our modern world give it? As is often the case, the answer becomes tangible when formulated in music.