Reviews

'A personality statement.'

'Ben Glassberg is intent on setting a clear dramatic colour for each scene ...'

'The opening movement in particular has expressive power ... the interpretation is gripping and suffused with fervent restlessness.'

'A cascading energy and brilliant darts of light suffuse conductor Alessandro Crudele's view of the Villa Borghese ...'

'The performances on this programme of ‘Estonian Premieres’ are as characteristic as you’d expect ...'

'Frisch has found a pleasing way to give listeners a sense of the 18th century beyond the perfect miniatures of Couperin.'

'Without losing himself in striking sonic opulence, the Italian created crystalline-lucid, subtly shaded tone poems, which orchestra and conductor bring to light in a singular manner of craftsmanship and with an impressive sense of sound.'

Diapason d'or: 'The great Norwegian cellist is finally back on record and playing chamber music! And in a triptych as clever as it is superbly performed.'

'The appointment of Peter Whelan as music director in 2018 has propelled the Irish Baroque Orchestra into an exhilarating new era.'