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Our Gilded Veins

Our Gilded Veins

Cover CKD713
Label(s)
Genre(s)
Classical
Code
CKD 713
Inlay available for download
Booklet available for download
Buy the album
Price
$22.00
  • Our Gilded Veins
    Composer(s) Jay Capperauld
    Artist(s) Katherine Bryan Rory MacDonald Royal Scottish National Orchestra

    Our Gilded Veins

    24:15
    $8.00
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  • Within Her Arms
    Composer(s) Anna Clyne
    Artist(s) Rory MacDonald Royal Scottish National Orchestra

    Within Her Arms

    13:21
    $4.60
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  • For Zoe
    Composer(s) Sir James MacMillan
    Artist(s) Rory MacDonald Henry Clay Royal Scottish National Orchestra

    For Zoe

    05:54
    $2.30
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  • The Death of Oscar
    Composer(s) Sir James MacMillan
    Artist(s) Rory MacDonald Royal Scottish National Orchestra

    The Death of Oscar

    10:44
    $3.40
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  • Meditation (after Donne)
    Composer(s) Martin Suckling
    Artist(s) Rory MacDonald Royal Scottish National Orchestra

    Meditation (after Donne)

    13:50
    $4.60
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  • Farewell to Stromness
    Composer(s) Peter Maxwell Davies
    Artist(s) Rory MacDonald Royal Scottish National Orchestra

    Farewell to Stromness

    04:26
    $2.30
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Total running time: 72 minutes.

    Album information

    The Royal Scottish National Orchestra has long been known for championing British contemporary music and, following two albums entirely dedicated to Thomas Wilson, the orchestra now turns to other leading composers of the contemporary scene.

    Devised by conductor Rory Macdonald, the programme includes works that share the themes of loss, love and life. Jay Capperauld’s flute concerto Our Gilded Veins takes centre-stage, with Principal Flautist Katherine Bryan giving the world premiere recording of the work that was written especially for her. Within Her Arms, Anna Clyne’s ‘fragile elegy’ (The New Yorker), James MacMillan’s legend-based The Death of Oscar and the commemorative For Zoe, Martin Suckling’s Meditation (after Donne) – which features church bells from across Scotland – and Peter Maxwell Davies’s Farewell to Stromness (in an arrangement for strings by Rosemary Furniss), which arguably features the composer’s most recognisable tune, complete the programme.