The Marian Consort - Vicente Lusitano: Motets - Sequenza21
Well-traveled and a respected music theorist who studied chromaticism, Lusitano’s work was more adventurous than his Portuguese contemporaries. A piece found in one of his treatises featuring abundant chromaticism, Heu me, Domine, is included on the Marian recording. If one were to only hear this work, they would think that Lusitano was rubbing elbows with Gesualdo and company in Naples, instead of a generation their senior. The Marian Consort performs Heu me, Domine with exquisite, period-informed tuning.
All was not forward looking for Lusitano. Josquin, a composer of the previous generation, was a favorite touchstone. The most elaborate of parodies by Lusitano of Josquin is the eight-voice Inviolata, integra et casta es, adding three voices to Josquin’s five. It preserves the earlier motet’s division into three sections and a canon at the fifth. This is transplanted into the rich vocabulary of Lusitano’s generation. At twelve minutes, it is a monument to the achievements of Lusitano.