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Beethoven: Piano Concerto 3 - Triple Concerto

Beethoven: Piano Concerto 3 - Triple Concerto

Cover ALPHA642
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Classical
Code
ALPHA642
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$24.00
  • Piano Concerto No.3 in C Minor, Op. 37: I. Allegro con brio
    Composer(s) Ludwig van Beethoven
    Artist(s) Andrew Manze Martin Helmchen Deutsches Symphonie-Orchester Berlin

    Piano Concerto No.3 in C Minor, Op. 37: I. Allegro con brio

    15:51
    $9.60
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  • Piano Concerto No.3 in C Minor, Op. 37: II. Largo
    Composer(s) Ludwig van Beethoven
    Artist(s) Andrew Manze Martin Helmchen Deutsches Symphonie-Orchester Berlin

    Piano Concerto No.3 in C Minor, Op. 37: II. Largo

    08:15
    $4.80
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  • Piano Concerto No.3 in C Minor, Op. 37: III. Rondo. Allegro – Presto
    Composer(s) Ludwig van Beethoven
    Artist(s) Andrew Manze Martin Helmchen Deutsches Symphonie-Orchester Berlin

    Piano Concerto No.3 in C Minor, Op. 37: III. Rondo. Allegro – Presto

    09:19
    $4.80
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  • Triple Concerto in C Major, Op. 56: I. Allegro
    Composer(s) Ludwig van Beethoven
    Artist(s) Martin Helmchen Deutsches Symphonie-Orchester Berlin Marie-Elisabeth Hecker Antje Weithaas

    Triple Concerto in C Major, Op. 56: I. Allegro

    17:28
    $9.60
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  • Triple Concerto in C Major, Op. 56: II. Largo
    Composer(s) Ludwig van Beethoven
    Artist(s) Martin Helmchen Deutsches Symphonie-Orchester Berlin Marie-Elisabeth Hecker Antje Weithaas

    Triple Concerto in C Major, Op. 56: II. Largo

    04:45
    $2.40
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  • Triple Concerto in C Major, Op. 56: III. Rondo alla Polacca
    Composer(s) Ludwig van Beethoven
    Artist(s) Martin Helmchen Deutsches Symphonie-Orchester Berlin Marie-Elisabeth Hecker Antje Weithaas

    Triple Concerto in C Major, Op. 56: III. Rondo alla Polacca

    13:12
    $7.20
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Total running time: 68 minutes.

    Album information

    German pianist Martin Helmchen continues his journey through Beethoven’s piano concertos with the Deutsches Symphonie-Orchester and Andrew Manze.

    In the Third Concerto, published in 1804, Beethoven seems to be moving away from the Mozartian model and inaugurates his ‘middle period’, using the minor mode to depict a distress and heartache that are certainly not unconnected with the famous ‘Heiligenstadt Testament’, which he wrote in 1802 to record his growing deafness. Martin Helmchen is joined by two partners with whom he performs a great deal of chamber music – violinist Antje Weithaas and cellist Marie-Elisabeth Hecker – to record the Triple Concerto, also written during the composer’s so-called ‘heroic’ period.