Haydn & Beethoven: Piano Sonatas
Haydn & Beethoven: Piano Sonatas
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- Piano Sonata No. 1 in F Minor, Op. 2 No. 1: I. AllegroComposer(s) Ludwig van BeethovenArtist(s) Olivier Cavé
Piano Sonata No. 1 in F Minor, Op. 2 No. 1: I. Allegro
03:43$2.30 - Piano Sonata No. 1 in F Minor, Op. 2 No. 1: II. AdagioComposer(s) Ludwig van BeethovenArtist(s) Olivier Cavé
Piano Sonata No. 1 in F Minor, Op. 2 No. 1: II. Adagio
05:03$2.30 - Piano Sonata No. 1 in F Minor, Op. 2 No. 1: III. Menuetto. AllegrettoComposer(s) Ludwig van BeethovenArtist(s) Olivier Cavé
Piano Sonata No. 1 in F Minor, Op. 2 No. 1: III. Menuetto. Allegretto
03:04$2.30 - Piano Sonata No. 1 in F Minor, Op. 2 No. 1: IV. PrestissimoComposer(s) Ludwig van BeethovenArtist(s) Olivier Cavé
Piano Sonata No. 1 in F Minor, Op. 2 No. 1: IV. Prestissimo
04:53$2.30 - Keyboard Sonata in B Minor, Hob. XVI:32: I. Allegro moderatoComposer(s) Franz Joseph HaydnArtist(s) Olivier Cavé
Keyboard Sonata in B Minor, Hob. XVI:32: I. Allegro moderato
06:30$2.30 - Keyboard Sonata in B Minor, Hob. XVI:32: II. Minuet - TrioComposer(s) Franz Joseph HaydnArtist(s) Olivier Cavé
Keyboard Sonata in B Minor, Hob. XVI:32: II. Minuet - Trio
03:43$2.30 - Keyboard Sonata in B Minor, Hob. XVI:32: III. Finale. PrestoComposer(s) Franz Joseph HaydnArtist(s) Olivier Cavé
Keyboard Sonata in B Minor, Hob. XVI:32: III. Finale. Presto
03:03$2.30 - Piano Sonata No. 2 in A Major, Op. 2 No. 2: I. Allegro vivaceComposer(s) Ludwig van BeethovenArtist(s) Olivier Cavé
Piano Sonata No. 2 in A Major, Op. 2 No. 2: I. Allegro vivace
06:45$2.30 - Piano Sonata No. 2 in A Major, Op. 2 No. 2: II. Largo appassionatoComposer(s) Ludwig van BeethovenArtist(s) Olivier Cavé
Piano Sonata No. 2 in A Major, Op. 2 No. 2: II. Largo appassionato
06:48$2.30 - Piano Sonata No. 2 in A Major, Op. 2 No. 2: III. Scherzo (Allegretto)Composer(s) Ludwig van BeethovenArtist(s) Olivier Cavé
Piano Sonata No. 2 in A Major, Op. 2 No. 2: III. Scherzo (Allegretto)
03:02$2.30 - Piano Sonata No. 2 in A Major, Op. 2 No. 2: IV. Rondo (Grazioso)Composer(s) Ludwig van BeethovenArtist(s) Olivier Cavé
Piano Sonata No. 2 in A Major, Op. 2 No. 2: IV. Rondo (Grazioso)
06:04$2.30 - Keyboard Sonata in C Major, Hob. XVI:48: I. Andante con espressioneComposer(s) Franz Joseph HaydnArtist(s) Olivier Cavé
Keyboard Sonata in C Major, Hob. XVI:48: I. Andante con espressione
07:03$3.40 - Keyboard Sonata in C Major, Hob. XVI:49: II. Rondo. PrestoComposer(s) Franz Joseph HaydnArtist(s) Olivier Cavé
Keyboard Sonata in C Major, Hob. XVI:49: II. Rondo. Presto
04:02$2.30 - Piano Sonata No. 6 in F Major, Op. 10 No. 2: I. AllegroComposer(s) Ludwig van BeethovenArtist(s) Olivier Cavé
Piano Sonata No. 6 in F Major, Op. 10 No. 2: I. Allegro
05:33$2.30 - Piano Sonata No. 6 in F Major, Op. 10 No. 2: II. AllegrettoComposer(s) Ludwig van BeethovenArtist(s) Olivier Cavé
Piano Sonata No. 6 in F Major, Op. 10 No. 2: II. Allegretto
03:41$2.30 - Piano Sonata No. 6 in F Major, Op. 10 No. 2: III. PrestoComposer(s) Ludwig van BeethovenArtist(s) Olivier Cavé
Piano Sonata No. 6 in F Major, Op. 10 No. 2: III. Presto
02:33$2.30
Total running time: 75 minutes.
Album information
Olivier Cavé pairs sonatas by Beethoven and Haydn demonstrating the difference in style between the classicism of Haydn and Beethoven's revolutionary spirit.
Ludwig van Beethoven was just twenty years old when he first met Joseph Haydn, in 1790. Two years later, the young composer joined the Viennese master’s numerous pupils. But, weary of his teacher’s frequent absences and stung by his criticisms, he soon broke off his lessons, declaring bitterly some years later ‘I never learnt anything from Haydn’.
It is this distance, this difference of style and ambition between Beethoven and his former teacher that are to be heard in this new recording by Olivier Cavé, the award-winning Swiss pianist who is a regular guest at the leading festivals. Whereas Haydn’s Sonata Hob. XVI:32 (1776) aims for a classical but vigorous style, Hob.XVI:48, composed only four years later, is more subdued and academic. Beethoven sought to break with this classicism, allowing himself greater expressive scope and replacing the traditional third-movement minuet with a scherzo in his Sonata no.2, a clear sign of his revolutionary spirit.