Bach had discovered the genre in his youth and cultivated it until his late period in Leipzig. This recording assembles his four overture-suites, including the famous Suite no.2 BWV 1067, which belongs among the late works. Numerous copying errors in the instrumental parts suggest that this piece was originally written a tone lower – in A minor – and therefore probably for a solo instrument other than the transverse flute: in the present recording, this first version, reconstructed from the clues mentioned above, is performed with solo oboe. ‘This is a work of austere beauty, in which contrapuntal skill and melancholic expression are combined in a highly original way with the carefully calculated dance rhythms’, writes Peter Wollny in the accompanying booklet article.