'Radiant in tone, she is equally exceptional in the vocal vision of paradise reached at the end of Mahler’s Fourth Symphony.'
The Times
Sehnsucht (Live in Rotterdam)
Sehnsucht (Live in Rotterdam)
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Classical
Code
ALPHA872
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- 7 Frühe Lieder: No. 1, NachtComposer(s) Alban BergArtist(s) Rolf Verbeek Barbara Hannigan Camerata RCO
7 Frühe Lieder: No. 1, Nacht
03:57$2.30 - 7 Frühe Lieder: No. 2, SchilflieldComposer(s) Alban BergArtist(s) Rolf Verbeek Barbara Hannigan Camerata RCO
7 Frühe Lieder: No. 2, Schilflield
01:55$2.30 - 7 Frühe Lieder: No. 3, Die NachtigallComposer(s) Alban BergArtist(s) Rolf Verbeek Barbara Hannigan Camerata RCO
7 Frühe Lieder: No. 3, Die Nachtigall
02:18$2.30 - 7 Frühe Lieder: No. 4, TraumgekröntComposer(s) Alban BergArtist(s) Rolf Verbeek Barbara Hannigan Camerata RCO
7 Frühe Lieder: No. 4, Traumgekrönt
03:02$2.30 - 7 Frühe Lieder: No. 5, Im ZimmerComposer(s) Alban BergArtist(s) Rolf Verbeek Barbara Hannigan Camerata RCO
7 Frühe Lieder: No. 5, Im Zimmer
01:20$2.30 - 7 Frühe Lieder: No. 6, LiebesodeComposer(s) Alban BergArtist(s) Rolf Verbeek Barbara Hannigan Camerata RCO
7 Frühe Lieder: No. 6, Liebesode
01:52$2.30 - 7 Frühe Lieder: No. 7, SommertageComposer(s) Alban BergArtist(s) Rolf Verbeek Barbara Hannigan Camerata RCO
7 Frühe Lieder: No. 7, Sommertage
01:46$2.30 - 4 Gesänge, Op. 2: No. 1, Aus Dem Schmerz sein RechtComposer(s) Alban BergArtist(s) Rolf Verbeek Raoul Steffani Camerata RCO
4 Gesänge, Op. 2: No. 1, Aus Dem Schmerz sein Recht
02:42$2.30 - 4 Gesänge, Op. 2: No. 2, Schlafend trägt man mich in mein HeimatlandComposer(s) Alban BergArtist(s) Rolf Verbeek Raoul Steffani Camerata RCO
4 Gesänge, Op. 2: No. 2, Schlafend trägt man mich in mein Heimatland
01:13$2.30 - 4 Gesänge, Op. 2: No. 3, Nun ich der Riesen Stärksten überwandComposer(s) Alban BergArtist(s) Rolf Verbeek Raoul Steffani Camerata RCO
4 Gesänge, Op. 2: No. 3, Nun ich der Riesen Stärksten überwand
00:54$2.30 - 4 Gesänge, Op. 2: No. 4, Warm die LüfteComposer(s) Alban BergArtist(s) Rolf Verbeek Raoul Steffani Camerata RCO
4 Gesänge, Op. 2: No. 4, Warm die Lüfte
02:52$2.30 - Symphony No. 4 in G Major: I. Bedächtig, nicht eilenComposer(s) Gustav MahlerArtist(s) Rolf Verbeek Camerata RCO
Symphony No. 4 in G Major: I. Bedächtig, nicht eilen
16:46$5.75 - Symphony No. 4 in G Major: II. In gemächlicher Bewegung, ohne HastComposer(s) Gustav MahlerArtist(s) Rolf Verbeek Camerata RCO
Symphony No. 4 in G Major: II. In gemächlicher Bewegung, ohne Hast
09:42$3.40 - Symphony No. 4 in G Major: III. Ruhevoll, poco adagioComposer(s) Gustav MahlerArtist(s) Rolf Verbeek Camerata RCO
Symphony No. 4 in G Major: III. Ruhevoll, poco adagio
20:37$7.00 - Symphony No. 4 in G Major: IV. Wir geniessen die Himmlischen Freuden. Sehr behaglichComposer(s) Gustav MahlerArtist(s) Rolf Verbeek Barbara Hannigan Camerata RCO
Symphony No. 4 in G Major: IV. Wir geniessen die Himmlischen Freuden. Sehr behaglich
09:39$3.40
Total running time: 80 minutes.
Album information
Barbara Hannigan performs two song cycles by Berg alongside Mahler’s 4th Symphony, as she explores Sehnsucht: a central and nearly untranslatable word of the Viennese fin-de-siècle period, referring to aspects of longing, melancholy, and nostalgia.
"During the Covid-19 pandemic, a collective Sehnsucht arose, in performers and audiences alike. Sehnsucht: Live in Rotterdam, played to the empty concert hall of De Doelen. We decided to issue the recording as an album, recognizing that the performance also represents continuity and mentorship through music. Both young Dutch artists, conductor Rolf Verbeek and baritone Raoul Steffani are associated with the initiatives Equilibrium and Momentum, and joined me and the Camerata RCO for this intimate journey…
In Sehnsucht, we explore two song cycles of Berg, written shortly after Mahler’s 4th Symphony. All these works are presented in special arrangements for chamber ensemble. The Berg songs are expanded from their original voice and piano to a dialogue of new colours and instrumentation. Mahler’s 4th Symphony is reduced to an intimate soloistic journey, a tender conversation." - Barbara Hannigan
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